Archive for the ‘photo repair’ Category
Photo Restoration – Restoring the Un-restorable
In this example I will describe some of the processes involved in restoring a badly damaged photograph which has been torn, creased and stuck with tape. Bits of the photo are missing and will need to be replaced and restored.

The Jigsaw. Firstly I cut out all pieces and pasted onto new canvas and the positioned on separate layers to do the jigsaw. This was to accurately gage where each piece needed to be and be in perfect alignment ready for photo restoration. Once happy that the pieces were in place I merged layers. I quickly blitzed the scratches and flecks with the clone and heal tool.
The Tape marks. I selected with the manual selection tool and a slight feather then leveled to the same tone as the picture. Then I fixed the edges of the tape marks with the heal and clone tool.
The face. I copied and flipped and distorted the left eye to make a right eye, then lightened and dodged and burned in using a small brush the skin tones, finally I used the heal tool to get some texture back on the tone. Same with the head piece and flower on head piece from dress.
The Background. Using a large heal tool I recreated the background where needed. The bottom left was made from a section of the bottom right once I fixed it, (the right hand side) I flipped the right and pasted into the left hand side.
The Table / Chair. Again I copied and flipped the chair and cloth, and extensively rebuilt the cloth and centre piece on the cloth just using the slight suggestion of a leaf pattern. I used the four leaves and cut and pasted and rotated until I had four sides of a leaf design, then cloned into the middle one of the white roses below the chair, I final tidy up by trimming the outside.
These techniques are described assuming you have some knowledge of Photoshop, so sorry its not a basics type explanation. It also assumes you have an eye for realism. Many thanks for reading.
Photo Restoration. A natural eye and restoring without adding perceived artistic merit
Photo Restoration. Advanced Techniques – A natural eye and restoring without adding perceived artistic merit.
Sorry about the lengthy title but I could find anything more catchy!
Ok so you can use a computer and you can use Photoshop, and you can have a good go at restoring a photo, but does this mean you are a good photo restorer? Not always.
here are a few fundamentals to photo restoration that must be addressed. Unless you can appreciate perspective, light and shade and or the natural environment and how light may affect one object differently under certain circumstances, then this could make or break a restoration.
Example: An old photo which is wrinkled, torn and damaged in the foreground, it’s a landscape with a building and some people in it, they stand in front of their house.

Photo with permission of owner and is subject to copyright.
When restoring land and rough ground, don’t simply grab the clone tool and heal tools and swipe eagerly over the foreground to repaint the grass or rubble or dirt. This can lead to repeated patterns and evidence of short cutting the restoration. Take your time to analyze the scene. If there are tracks on the road or rough ground made by vehicles or carts, look how the ground may have been disturbed and restore it disturbed. Don’t be tempted to clean up and area and make it all nice and uniform and be artistic, restore it, nature is not uniform especially landscapes.
Also examine where the light is coming from, lets say you’ve fixed you foreground and removed the tears and evened out the ground, but does it look restored, if it does it’s not right. You need to place rocks and grass realistically random, and in the case of the tracks make sure the ground follows a natural path of disturbance. The light of shadow can be added last to give the slow moving shadows and rolling tone of the ground, with the old friend dodge and burn. Make sure you use a large soft brush set to 5-12 percent to darken mid tones and think hard where the ground is lower or higher and apply subtle shadow where needed to bring life back to a flat landscape or foreground. Experiment with darkening the shadows too, but don’t over do it subtlety is the key here and realism is the most important.
If you don’t have the eye for this sort of thing then you may miss what’s wrong with your restoration and may never work out no mater how hard you look why it doesn’t look quite right.

One again I hope this helps some people slow down and observe, I know Photoshop is a quick fix sometime but it needs to be used slowly and thoughtfully.
Image-Restore.co.uk Providing photo restorations throughout the uk
Photo restorations in Wales Anglesey Sir Fon Brecknockshire Sir Frycheiniog Caernarfonshire Sir Gaernarfon Carmarthenshire Sir Gaerfyrddin Cardiganshire Ceredigion Denbighshire Sir Ddinbych Flintshire Sir Fflint Glamorgan Morgannwg Merioneth Meirionnydd Monmouthshire Sir Fynwy Montgomeryshire Sir Drefaldwyn Pembrokeshire Sir Benfro Radnorshire Sir Faesyfed
Photo Restoration – Advanced techniques – Matching Grain
Photo Restoration. Advanced Techniques – Matching grain
Ok so know we know a little about Image Resolution and how it might help us with photo restoration.
Lets now take a look at some advanced techniques to help with restoring old photographs.
If you need to restore a photo that comes in JPG format and has had its fair share of compression applied to it and you cannot do anything about for what ever reason, then have to work with what you have. Repairing it can be tricky as the dreaded JPG artifacts and slurred pixels can be a problem. Valuable parts of the image can be lost, particularly when working at finer detail levels.
Let me site an example. Figure in a dress, saved as JPG and the face has suffered a bit from compression artifacts and some detail has been lost. One way to fix this would be to artistically paint in using brushes and dodge and burn tools to recreate parts of the face. This will of course look too smooth. You can add grain as a fix but it doesn’t always work as its looks too uniform or doesn’t match the base image. With a combination of painting on a new layer over the original and trying to clone in some grain from below can help but also if you save out your new layer to a JPG and play with the compression settings, you will find that you can get some very similar JPG artifacts on your saved layer as the base layer. When its pasted back in you can then match the grain and base image a little easier than before.
Image-restore Restoring your photos across the uk