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Archive for the ‘restoring old photos’ Category

Cricketing nostalgia where is this?

Some photo restoration projects take longer than others. This cricketing photo in the United Kingdom took longer than most but where is it? Can you help me identify where in the UK this is?


Cricketing scene United Kingdom but when? and where?

Cricketing scene United Kingdom but when? and where?

My skills in dating a photo and finding its whereabouts are not very good but here’s what i can deduce.

The terrain seems very flat into the distance. One of the tents has WCC written on it, or at least that’s what it looks like. All the chaps have fat moustaches. There are some very uniques buildings in the background. see picture

Cricketing scene United Kingdom but when? and where? Clues...

Cricketing scene United Kingdom but when? and where? Clues…

1. Tiles with stripes! This must have been a feature, can’t be many houses like this?

2. Octagonal outbuilding with three chimneys possibly four. Was this a furnace? or building used to heat water? looks like a sturdy structure could be still standing?

3. The large house in the center. Are those windows Gothic Arch windows? Very distinctive. This building could still be there?


Photos are often dated by hair styles, facial hair, clothes, caps etc, but can they tell you where  picture was taken?


If there is anyone that has any ideas please comment, as it’s all still a mystery to me.

Thank you.

Bleached colour repair and restore

Photos that I restore the most are be those that have faded. Simple fades are simple to correct. Just a quick adjustment of the levels or a quick burn in with dodge and burn tools. Complex fades like the one below are not so simple.

This image could not be colour corrected by tweaking the colours, in stead it had to be converted to black and white, restored and then coloured. You may have seen similar posts by me before on this but each one presents different challenges.

Bleached photo restore and colour

Bleached photo restore and colour

In this case the fades were corrected by multiple layers using “apply image”. Each layer was dropped on the next and masked in tighter to build back the tones. I had to stop when things started to look too gray. It then became evident the image need more contrast but this introduced more bleaching, so more masking. Once the exposure was looking ok, it was treated as any other restoration and the coloured using my colouring technique.

Photo restoration some basic techniques

To perform any photo restoration basic techniques are essential. Understanding how to make something look un-restored is what photo restoration is all about.

Edges / selection.

When anything is moved or copied over you should match the edges. When you are selecting something new to insert into an image you should match the edges. Matching edge definition is my number one tip. Edge selection video.

Matching grain.

If you are inserting anything into an image especially skies, match both the edge definition and the grain. Old images have natural random grain that doesn’t mix that well with flat computer generated tones. Skies will look fake and nasty. If inserted with bad selection they will look even more amateurish. Matching grain video

Don’t take short cuts

Taking short cuts with photo restoration is very tempting. Do it quick and make a fast buck! Do this this and it will come back to bite you! Initially you may benefit by making fast money but as soon as your techniques are exposed by some simple image brightening your reputation will plummet through the floor and you will soon be out of pocket. Don’t take shortcuts with photo restoration

Make it real – do no make it up!

Inventing detail or making up obviously fake bits of the image doesn’t make a “restoration”. What makes the restoration is genuinely thinking about the restore and what should be filling those missing pieces. We don’t want smooth edges when they should be sharp, or smooth textures when they should be grainy or nasty cloning. We need to see nothing, no obvious signs of restoration anywhere. Carefully matched grain, no “invented” details and artistic interpretations of what should be there. Restoring a photo with a natural eye.

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